
The Fractal Knight
Pencil on Canson paper · 2026
Classical observation meets digital invention. Four decades across drawing, painting, printmaking, illustration, and emerging technologies.


Pencil on Canson paper · 2026

Androids series · Pencil on Canson paper · 2026

Graphite · 2026

Digital matte painting · 2022

Digital matte painting · Photoshop · 40 × 30 in · 2022

Digital painting · Photoshop · 20 × 11 in · 2025

Digital painting · Photoshop · 17 × 11 in · 2025

Pencil on Canson paper · 24 × 18 in · 2019

Pencil on Canson paper · 24 × 18 in · 2019

Pencil on Canson paper · 24 × 18 in · 2019

Pencil on Canson paper · 24 × 18 in · 2019

Charcoal and chalk on craft paper · 24 × 18 in · 2019

Pencil on Ingres paper · 18 × 24 in · 2019

Digital and hybrid media · 18 × 24 in · 2025

Android series · Ink and pen on Canson paper · 2025

Android series · Ink and pen on Canson paper · 2025

Android series · Ink on Canson paper · 2026

Android series · Pencil on Canson paper · 24 × 18 in · 2026

AI, Photoshop, Wacom Cintiq 32 · 30 × 40 in · 2022

AI, Photoshop, Wacom Cintiq 32 · 30 × 40 in · 2022

Pencil on Canson paper · 18 × 24 in · 2019

Pencil on 90 lb Canson paper · 18 × 24 in · 2019

Pencil on Canson paper · 18 × 24 in · 2018

Pencil on Canson paper · 18 × 24 in · 2018

Pencil on 90 lb Canson paper · 24 × 18 in · 2018

Pencil on Canson paper · 18 × 24 in · 2024

Pencil on Canson paper · 18 × 24 in · 2017

Pencil on Canson paper · 18 × 24 in · 2018

Pencil on paper · 18 × 24 in · 2019

Pencil on Canson paper · 18 × 24 in · 2017

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital painting on matte bright canvas · 40 × 25 in · 2021

Digital painting on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 25 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 40 × 30 in · 2021

Digital print on matte bright canvas · 30 × 40 in · 2021

Acrylic on canvas · 36 × 24 in · 2020

Ink and Prismacolor pencil · 24 × 18 in · 2019

Tempera on paper · 9 × 17 in · 1982

Digital matte painting · Photoshop · 17 × 11 in · 2022

Original pen-and-ink drawings made directly from insect specimens in Havana. Decades later, archival research, Adobe Firefly and Photoshop open a new chapter in this sustained practice of close observation.
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The story of turning fractal equations into physical images with a vector plotter, improvised tools, scarce materials, and relentless experimentation.
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From the ornamental tiles of a 1920s Havana home to imagined fractal worlds: a personal exploration of memory, geometry, Mandelbulb3D, and Photoshop.
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Original character drawings become new visual worlds through iterative artistic direction, critique and AI-assisted development.
Explore the project →“Slow looking first. Computation second.”
Angel Torrella is a Vancouver-based visual artist and educator whose practice joins rigorous academic drawing with experimental digital image-making.
Educated at San Alejandro and the Instituto Superior de Arte in Havana, he holds two Fine Arts degrees spanning drawing, painting, engraving, printmaking, digital art, and graphic design. Since 1987, he has joined traditional craft with digital tools, moving through graphite, ink, acrylic, fractal geometry, matte painting, illustration, and responsible AI.
His career began in Cuba as an artist, illustrator, designer, television visual-effects specialist, teacher, and academic leader. Since 2006, he has taught at LaSalle College Vancouver, connecting classical observation with contemporary creative practice.
Areas of practice include drawing, painting, printmaking, scientific illustration, digital matte painting, visual development, curriculum design, and AI-supported creative workflows.
From classical life drawing to digital imaging, production, illustration, and AI-supported workflows, Torrella’s teaching connects foundational seeing with contemporary practice. At LaSalle College Vancouver, he develops artists and designers who can think, build, question, and adapt.
Available for commissions, exhibitions, educational collaborations, AI / creative consulting, curriculum development, and professional opportunities. Based in Vancouver and open to international collaborations.
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